/* =======================================================================
   G · THE RAIL, THEN THE SOLO.
   ======================================================================= */


  /* ── G · THE RAIL, THEN THE SOLO ──────────────────────────────────────
     The four butted works became a draggable lightbox strip (see .body-rail),
     so .g-row and its unequal-width grid are gone: those widths are meaningless
     once every plate is an identical square.

     THE SOLO WORK KEPT ITS OWN SECTION. g-hey is the region's single beat and
     is NOT in the rail. It needs air on all FOUR sides: the rule below once
     carried `margin-top` alone, which let the next region's flush row butt
     against the work's bottom edge. g-hey also fills its file completely (ink
     measured 100% x 100%, zero baked padding, ground #c5c5c5), so unlike most
     works here it has no margin of its own to lend, and its section is
     `band-bleed` (padding zeroed), so these margins are the ONLY thing holding
     it off both neighbours. Don't remove them expecting the band to cover it.

     IT IS NO LONGER SQUEEZED. The 24vh ceiling existed because this work sat
     BETWEEN two rails and all three had to be visible at once. The second rail
     is gone (its two works joined the strip above), so the vertical budget that
     forced the work down to a thumbnail is released and it can be shown at
     proper scale. Still sized by HEIGHT, because width is what varies with the
     window, with a vw cap so a short wide viewport cannot push it off frame. */
.g-solo{margin:8vh 0 25vh;display:flex;justify-content:center}   /* more grey below it before the next panel (Ivan) */

.g-solo .plate{height:76vh;width:auto;aspect-ratio:1620/2000;min-width:0;
    max-width:86vw}