/* =======================================================================
   I · THE CLOSE.
   ======================================================================= */


  


  /* ── I · THE CLOSE ────────────────────────────────────────────────────
     BLACK, not green. One work, centred, at 74% of the column with generous
     margin either side. affa has no flat ground (purity .47) so the margin
     around it is doing real work. The page ends on a single object.

     Its ground is orange, which against the void reads as a deliberate plate
     rather than a mistake: the work is the only colour in the region, exactly
     as the spine's three works are the only light in theirs. */
  /* the band sits inside the orange room and needs its own vertical air:
     band-bleed zeroes the band padding, so this is the only thing holding the
     work off the set above it and the grey room below. --rhythm is the page's
     established vertical interval, so this does not introduce a new spacing
     value. */
  /* top cushion is --note-air, the same value the room above uses below the
     rule note, so the note sits centred between them. The bottom keeps the
     page's full --rhythm: that gap separates the work from the NEXT break and
     is a different interval, not the other half of this one. */
.band-affa{padding:var(--note-air) 0 var(--rhythm)}


.close-solo{display:flex;justify-content:center}


  /* SIZED BY HEIGHT, because the work in this slot is now upright. A width
     share is the right control for a landscape (it was 74.1% when affa was
     here) and the wrong one for a portrait: the same share would make an 0.81
     work taller than the viewport. Width follows from the ratio. */
.close-solo .plate{height:70vh;width:auto;aspect-ratio:1620/2000;min-width:0}